Darlene Koldenhoven was born in a mixed neighborhood on the South side of Chicago to a family with an extensive musical lineage, but hearing only the singing of her mother and grandfather. Darlene could hold her own harmony part by age 3, making her Easter Sunday debut in church singing a solo, “Low in the Grave He Lay.” Her initial emphasis of formal training was classical piano, which she began studying in earnest at age 9. Her father, awarded the Distinguished Service Cross, died from malaria complications contracted during his “tours of duty.” (View Darlene’s tribute video to our nation’s heroes “Remember Me.”) The family suffering from the financial hardship, a single mother, and her sister being born deaf, didn’t allow her hard working mother to afford formal singing lessons for Darlene until age 16. The product of a strict Dutch Christian Reformed/Calvinist family, Darlene was only allowed to listen to or play religious or classical music, not allowed to improvise, and never really listened to pop music until college where she absorbed everything from the Beatles and Middle Eastern music to jazz. But the fierce work ethic and discipline she gleaned from home and her schooling made her an outstanding scholarly achiever, thus preparing her for the ubiquitous and enviable career she now relishes in the entertainment capital of the world, Los Angeles. Arriving in Los Angeles with only a leap-of-faith, $400, her car, 6 wool turtleneck sweaters (she’s from Chicago) and no contacts – therein lay the story of how hard work and perseverance pays off . . .
Ms. Koldenhoven revealed an early sensitivity to teaching and nurturing when she assisted in the early therapy of her only sibling, a sister 9 years younger who was born deaf. Experimental surgery created some hearing capabilities for her at age 4. Revelations from that experience impacted Koldenhoven three-fold, sparking her intense interest in how vocal sound is created by the smallest gestures of the structures of the mouth, sound vibration as a source of healing and restoration, and the expressive possibilities of vocal sound without words – a signature element of her singular style.
Darlene Koldenhoven’s first two albums are her debut Keys to the World (an adult contemporary pop work with an emphasis on positive lyrics), Free to Serve (an eclectic gospel soundtrack commissioned by the Christian Reformed Church of North America and lifted from a World Missions multi-media concert that she co-directed, wrote all the music for and performed in, featuring musicians and singers she brought back from the impoverished Sierra Leone, West Africa). When asked about the future, Darlene is looking forward to touring with her new concerts and starting a music educational non-profit organization.
Darlene’s website: www.darlenekoldenhoven.com